2020哈佛大学（GSD）设计研究院毕业展
今天我们给大家带来的是哈佛大学设计研究院（GSD）2020年毕业作品。分别包含MArch、MLA、MAUD、MLAUD、MUP、MDes、MDE、DDes专业内容展示，由于作品非常多，小编挑选了部分作品包含获奖作品以及MArch专业的优秀作品。更多作品内容，可以查看GSD官网。
官网链接：https://commencement.gsd.harvard.edu/exhibition2020/
1. MArch I AP
James Templeton Kelley Prize, Masters in Architecture I
Stranger in Moscow: The Diplomatic IllusiveIan Miley
莫斯科的陌生者：外交错觉 IllusiveIan Miley
项目介绍:
复视描述的是一种视觉障碍，在这种情况下，人们看到的是同一物体的两个图像。在其他学科中，复视被重新想象为一个双重的地方，一个更狭窄的外交空间。我们现代的外交概念出现在意大利文艺复兴时期主权国家之间书信交流的形式。祖传的信件，或证书，一方面是授予特权的官方文件，另一方面只是一张折叠两次的纸，折叠隐藏的行为揭示。这是外交实践赖以建立的两面派行为。自从它作为一种太空类型出现以来，外交场景就被戏剧和光学技术所框定，目的是产生一种双重的现实。
Diplopia (n.) describes a disorder of vision in which two images of a single object are seen. Situated among other disciplinary -opias, diplopia is re-imagined to invoke a double place, more narrowly, a space for diplomacy. Our modern concept of diplomacy emerged in the Italian Renaissance in the formalization of epistolary exchange between sovereign states. Ancestral letters – or diplomas – on the one hand an official state document conferring privilege, on the other simply a paper folded twice over, fold revelation within the act of concealment. This is the duplicitous act upon which diplomatic practices are founded. Since its emergence as a genre of space, the diplomatic setting has been framed by dramaturgical and optical techniques intended to produce a doubling of reality.
该主题考虑的是美国驻莫斯科的俄罗斯联邦外交使团的大使馆——一个有着间谍历史的建筑，到处都是监听设备，是通过复杂的建筑合同获得的。冷战期间铁幕上上演的相互颠覆——在MAD杂志的“间谍对间谍”连环漫画中有简要的描述——似乎最近又重新上演了。通过来自教会圣坛的幻觉技术、20世纪60年代的观点艺术和递归计算的相互作用，扭曲方法在建筑中提出了一种隐藏和揭示的辩证法。舞台艺术和治国艺术合谋通过怀疑的产生来投射建造形式的可能性。
This thesis considers the Embassy for the U.S. diplomatic mission to the Russian Federation in Moscow — a structure implicated in a history of espionage, riddled with listening devices, procured via labyrinthine construction contracts. The reciprocal subversions performed across the Iron Curtain during the Cold War — succinctly illustrated in MAD Magazine’s “Spy vs. Spy” comic strips — appear to have been recently reanimated. Through the interplay of illusionistic techniques drawn from the ecclesiastical chancel, 1960s Op-Art, and recursive computation, distortive methods propose a dialectic of concealment and revelation in architecture. Stagecraft and statecraft conspire to project the possibility of built form through the production of doubt.
2. Anna Goga
MArch II
James Templeton Kelley Prize, Masters in Architecture II
Option Studio: Mass Timber and the Scandinavian Effect
Professors: Jennifer Bonner and Hanif Kara
Porch House + 300 Panels, 400 Cuts, 400 Bandages 游廊屋+ 300块面板，400处切割，400条绷带
工作室的教学实验通过两种类型——住宅和中层塔楼的镜头，质疑交叉叠层木板或“CLT板”的美学和结构可能性。门廊住宅采用了“建筑中的折叠”的老概念，其中9X50的CLT毛坯被折叠来创建一个斜接连接，允许材料看起来更少的薄板样，更像塑料。大的CLT褶皱分布在美国南部发现的一种包绕门廊的尺度上。门廊成为住宅的中心空间，家庭场景、功能和个人物品在这里随时间变化和移动。结构折叠成为一个可居住的空间，模糊了室内外的界限，并允许门廊的巨大出现。
The pedagogical experiment of the studio questioned the aesthetic and structural possibilities of Cross Laminated Timber panels or “CLT Blanks”, through the lens of two typologies – a house and a mid-rise tower. The Porch House engages an old-notion of “folding in architecture”, where the CLT Blank measuring 9’ X 50’ is folded to create a miter-joint connection, allowing for the material to appear less sheet-like and more like plastic. Large CLT folds are distributed at the scale of—a wrap-around-porch—a type found in the American South. The porch becomes the central space of the house, where domestic scenarios, functions, and personal objects change and move over time. The structural fold becomes an inhabitable space that blurs the boundaries between inside and outside and allows for the porch’s bigness to appear.
300块面板，400个切割，400个绷带使用完整的50 ' CLT空白垂直与一个简单的波形切割的300个面板。作为结构管组装，外骨骼最大限度的5层高CLT坯和最大限度的材料浪费。该项目重新考虑了大量木结构中常用的钢连接，通过将一般板重新概念化为“绷带”。绷带通常隐藏在外墙内，经过精心设计、夸张，并暴露为构成立面的元素。在结构和规划上，该项目探索了轻盈、住房和办公空间的可交换性，以及物质的来生等概念。结构筒的内部由四个25米的区域组成，四个天花板上都建有起重机的龙门系统。这个系统允许可能性重新组装的内部地板和墙壁与无尽的变化。
300 Panels, 400 Cuts, 400 Bandages uses the full 50’ CLT blank vertically with one simple squiggle cut for each of the 300 panels. Assembled as structural tube, the exoskeleton maximizes 5-story tall CLT Blanks and minimizes material waste. The project rethinks steel connections commonly used in mass timber construction, by re-conceptualizing the generic plate as a “bandage”. Usually hidden within the exterior wall assembly, the bandages are carefully designed, exaggerated, and exposed as compositional facade elements. Structurally and programmatically, the project explores ideas of lightness, the exchangeability of housing and office space, and the afterlife of materiality. The interior of the structural tube is comprised of four 25 meter zones with a gantry system of cranes built into each of the four ceilings. This system allows for the possibility to reassemble the interior floor plates and walls with endless variations.
MArch科系其他作品展示：
3. Chelsea Kilburn
MLA I AP
Masters in Landscape Architecture Thesis Prize
That Sinking Feeling: Subsidence Parables of the San Joaquin Valley
Advised by Danielle Choi
本论文探讨了地下水自然模糊的边缘与管理结构之间的不协调，而管理结构定义了加州圣华金河谷的地表景观。在该地区，极端地下水开采导致地面沉降，从而在物理上直接改变了地形。该项目描绘了这样一个现实:即将到来的沿海移民将导致河谷地区城市人口激增，进一步加剧对开采的需求，以提供饮用水，维持中国一些最高产的农业用地。干预场地揭示了当地地下水管理的类型，并设想在不远的将来，景观设计可以用来重新考虑下沉。沉降被认为是一种可再生的基础设施力量，能够有意地塑造地面，以保留、修复和分配水，然后利用这些水来补给严重枯竭的含水层，同时也在投机地颠覆加州的自然历史。
This thesis explores the dissonance between the naturally blurry edge of groundwater and the structures of management that define the surface landscape of California’s San Joaquin Valley. In this region, extreme groundwater extraction causes land subsidence, thus physically and directly altering topography. The project frames a reality where imminent coastal migration leads to a soaring urban population in the Valley, further intensifying the need for extraction that provides drinking water and sustains some of the nation’s most productive agricultural ground. Sites of intervention reveal local groundwater management typologies and imagine near-future scenarios in which design of the landscape can be used to rethink subsidence. Subsidence is reconceived as a generative infrastructural force able to meaningfully shape the ground for the retention, remediation, and distribution of water that can then be utilized in the recharge of a critically depleted aquifer as well as in a speculative subversion of California’s constructed natural history.
4. Margaret Haltom
MUP
Urban Planning and Design Thesis Prize in Urban Planning
The Next Southern Landmark: A Roadmap for Confederate Monument Redesigns and RFP for the Site of a Former Confederate Monument
本文以田纳西州孟菲斯市为例，探讨了重新设计前联邦纪念碑遗址的背景和过程。我关注的是一座前Nathan Bedford Forrest纪念碑及其周围的九英亩公园，我与一个社区联盟合作，创建了一个重新设计流程并征求方案。我与孟菲斯的“私刑遗址项目”(LSP)合作，这是一个由教师、宗教领袖、当地历史学家和其他社区成员组成的联盟，旨在为种族恐怖的受害者建造纪念碑。我们共同提出的问题是:南方的社区如何重新想象和重新设计前联盟纪念碑?并且，当城市规划师与社区联盟保持联系时，规划师在创造回收和改造这些高度紧张的公共空间的包容性过程中的角色是什么?
This thesis considers the context of, and process for, redesigning the sites of former Confederate monuments through a case study in Memphis, Tennessee. Focused on a former Nathan Bedford Forrest monument and its surrounding nine-acre park, I collaborate alongside a community coalition to create a process for redesign and Request for Proposals. I partner with the Lynching Sites Project (LSP) of Memphis, a coalition of teachers, faith leaders, local historians and other community members seeking to build monuments to victims of racial terror. Together, we ask: How might communities in the South reimagine and redesign former Confederate monuments? And, as the urban planner liaising with this community coalition, what is the planner’s role in creating inclusive processes to reclaim and transform these highly charged public spaces?
5. Justin Cawley
MAUD
Urban Planning and Design Thesis Prize in Urban Design
Rescaling the University: Vertical Campuses and Postindustrial Urban Restructuring in Western Sydney
后工业城市重组与西悉尼公立大学空间扩张之间的关系既没有得到充分的理解，也没有得到简单的理解。《大学调整》聚焦于一个单一的制度案例研究，询问西悉尼大学最近的“垂直校园”如何推进空间和制度调整的努力，以回应和进一步后工业化的城市背景。通过历史研究、访谈、绘图和数据可视化，本论文探索了“垂直校园”在跨标量策略下的城市发展，使用个人项目推进一个新的大都市高等教育地理。这些跨标量策略反映了西悉尼大学以区域为中心的任务的再城市化，其中土地征用和开发与教学改革一起占据了核心地位。目前，大学的再城市化在很大程度上是独立于大都市和城市的发展努力而实现的。但是，不断发展的项目执行过程表明，大学和其他公共发展机构之间可能会出现新的联盟。我认为这些新的联盟应该把重点放在城市规划和城市设计的垂直校园网络的协调上，以扩大和民主化这一再城市化进程的空间、社会和经济利益。
The relationship between postindustrial urban restructuring and the spatial expansion of public universities in Western Sydney is neither fully understood nor simple. Focusing on a single institutional case study, Rescaling the University asks how Western Sydney University’s recent “vertical campuses” progress spatial and institutional rescaling efforts that respond to and further a postindustrializing urban context. Through historical research, interviews, mapping, and data visualization, the dissertation explores “vertical campuses” in terms of trans-scalar strategies for urban development, using individual projects to advance a new metropolitan tertiary education geography. These trans-scalar strategies reflect the reurbanization of Western Sydney University’s regionally focused mission, in which land acquisition and development have assumed a core position alongside pedagogical reform. At present, the University’s reurbanization has been achieved largely independently of metropolitan and municipal urban development efforts. However, evolving project delivery processes indicate that new alliances between the University and other public development institutions may emerge. I argue that these new alliances should focus on the coordination of the vertical campus network as a matter of both metropolitan planning and urban design in order to amplify and democratize the spatial, social and, economic benefits of this reurbanization process.
6. Qin Ye Chen (MArch I 2022) and Yiwen Wang (MArch I AP 2022)
Recipients of the 2020 Clifford Wong Prize in Housing Design.
“一所房子不是一个家”解决了与我们今天的城市生活在重要方面产生共鸣的中心问题:“建筑如何能弥补社会孤立?”以及“架构能否在不同的时间框架内组织不同规模的社区参与?”
“A House is Not a Home” addresses central questions that resonate in important ways with life in our cities today: “How can architecture offer a remedy to social isolation?” and “Can architecture organize different scales of community engagement over different time frames?”
该设计结合了各种不同配置的住宅类型，并在场地上无缝地结合。这一系列的公寓类型和重叠共享空间的概念，在私人和公共领域之间摇摆，被用作社区建设和参与的重要组成部分。此外，这些不同的单元以不同的标量配置聚集，从低层到中层建筑形式，为不同年龄和收入群体的不同人口结构提供了居住机会的选择。最重要的是，这些目的和目标被整合到一个形式中，响应城市结构和环境，它所在的位置。该项目提出了一种新的城市生活形式，它在社会上具有包容性，在建筑上能够适应各种生活方式和文化诉求。此外，以人为中心的方法和空间的体验想象导致了创造性的相遇场所，它将通过加强社区参与来“弥补社会孤立”。
This design combines a range of dwelling types in varying configurations and all seamlessly synthesized on the site. This range of apartment types and the idea of overlapping shared spaces that oscillate between private and public realms are used as an important component of community building and engagement. Furthermore, the aggregation of these varied units in different scalar configurations ranging from low to mid-rise building forms suggest choices in terms of living opportunities for different demography across ages as well as income groups. Most critically, these aims and objectives are integrated into a form that is responsive to the urban fabric and context in which it is situated. The project suggests a new form of urban living that is socially inclusive and architecturally accommodative of varying lifestyles and cultural aspirations. In addition, the human-centric approach and experiential imagination of space have resulted in inventive places of encounters, which will “serve as a remedy to social isolation” through enhancing community engagement.
本文图片来源于 GSD官网：
https://commencement.gsd.harvard.edu/thesis2020/